Jacobus Houbraken – Portrait of Robert Devereux, Earl of Essex
1601. illustration from Heads of Illustrious Persons
Location: Private Collection
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The composition extends beyond the immediate portrait, incorporating symbolic elements at its base. A large, ornate urn dominates this lower section, supported by cherubic figures and flanked by what appear to be severed heads resting on draped cloths. The presence of these objects introduces layers of meaning that transcend a simple depiction of an individual.
The inclusion of the severed heads immediately suggests themes of mortality, loss, and perhaps even political downfall. Their placement at the base of the portrait implies a connection between the subjects life and a tragic fate. The urn, often associated with remembrance and commemoration, reinforces this sense of memorialization. Its elaborate design hints at a desire to preserve his memory in an enduring form.
The cherubic figures supporting the urn introduce a contrasting element – innocence or divine presence – which could be interpreted as either offering solace or highlighting the tragic irony of the subject’s situation. The inscription above the portrait, Robert Devereux Earl of Essex 1601, provides a temporal anchor and suggests that this is a commemorative work created shortly after a significant event in his life.
The overall effect is one of restrained drama and poignant reflection. The artist has skillfully employed symbolic objects to imbue the portrait with layers of meaning, transforming it from a straightforward likeness into a complex meditation on power, mortality, and legacy. The engraving technique itself contributes to this atmosphere, its stark contrasts and fine lines lending an air of formality and gravitas to the scene.