Portrait of Tillotson, Archbishop of Canterbury Jacobus Houbraken (1698-1780)

The engraving presents a seated figure, rendered in meticulous detail through cross-hatching and tonal variation. The man is depicted within an oval frame, encircled by stylized foliage that suggests laurel or similar celebratory ornamentation. Inscribed along the upper curve of this frame are titles identifying his ecclesiastical position.
Here we see a gentleman of considerable stature, dressed in the formal robes of a high-ranking cleric – a black gown with wide white sleeves and a distinctive mitre. His expression is serious, almost contemplative; he gazes directly forward, conveying an impression of authority and solemnity. The lighting emphasizes his face, highlighting the texture of his skin and the slight furrowing of his brow.
Below the figure, occupying the lower portion of the composition, appears a cherubic infant. This child kneels before what seems to be a large tome or manuscript, appearing to engage with its contents. Two smaller putti are positioned near the base of the book, adding to the allegorical nature of the scene.
The presence of the child and the book introduces layers of subtext. The infant likely symbolizes innocence, piety, or perhaps divine inspiration – qualities associated with religious leadership. His interaction with the text suggests a connection between knowledge, faith, and spiritual guidance. It is possible that the manuscript represents scripture or theological writings, implying the subject’s deep engagement with religious doctrine.
The overall effect of the engraving is one of reverence and respect. The formal pose, elaborate attire, and symbolic elements combine to portray an individual of significant importance within a religious hierarchy. The artist has skillfully employed techniques of light and shadow to create depth and emphasize the gravity of the subject’s position.