Richard Sylvius – Peter Makeléer (1644-1697)
1675. 107×89.5
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking feature is undoubtedly the voluminous, meticulously rendered wig that frames his head. Its texture suggests considerable height and density, contributing to an overall sense of grandeur and perhaps a deliberate display of status. The hair’s color appears to be a mix of grey and light brown, hinting at maturity or possibly a stylistic choice intended to convey wisdom and experience.
The man is clad in a suit of armor, richly decorated with intricate gold detailing along the edges of the breastplate, pauldrons (shoulder pieces), and gauntlets. The armor itself appears weighty and substantial, suggesting military prowess and readiness for conflict. A glimpse of white linen at his neck provides a subtle contrast to the dark metal, softening the overall impression of rigidity. One hand rests on what seems to be a sword hilt, further reinforcing the martial theme.
The lighting in this painting is carefully controlled. It illuminates the face and upper torso, highlighting the details of the armor and wig while leaving much of the background in obscurity. This technique serves to isolate the subject and emphasize his importance. The use of chiaroscuro – the contrast between light and dark – adds depth and drama to the composition.
Subtextually, this portrait likely functions as a statement of power and social standing. The armor signifies military service or affiliation with a ruling class. The elaborate wig and ornate detailing on the armor suggest wealth and access to skilled artisans. The man’s posture and expression convey an air of confidence and control, reinforcing his position within the societal hierarchy. It is probable that this work was commissioned to commemorate a significant event in the subjects life or to establish his legacy.