A Portrait of Dorothy Vaughan, Countess of Lisburne Joshua Reynolds (1723-1792)

The portrait presents a seated woman in what appears to be a formal outdoor setting. She is positioned centrally within the composition, facing directly toward the viewer with a composed expression. Her gaze is steady and engaging, suggesting confidence and perhaps a degree of social standing.
Here we see an elaborate hairstyle, typical of the late 18th century, constructed high on her head and adorned with ribbons. The clothing consists of a flowing white gown, layered with a patterned overdress featuring a paisley-like motif in muted tones. This combination conveys both elegance and wealth; the simplicity of the base garment is offset by the intricacy of the outer layer. A single rose rests near her hand, adding a touch of natural beauty to the otherwise formal presentation.
The background is rendered with looser brushstrokes, depicting an indistinct landscape – a suggestion of trees and foliage that recedes into atmospheric perspective. This blurring of the backdrop serves to focus attention on the subject herself, emphasizing her presence within the frame. She holds a book in her lap, open but unread; this detail might allude to learning or intellectual pursuits, common attributes associated with aristocratic women during this period.
The lighting is soft and diffused, illuminating her face and upper body while leaving the lower portion of the gown in shadow. This creates a sense of depth and volume, highlighting the textures of the fabrics. The overall effect is one of restrained grandeur – a carefully constructed image intended to portray status, refinement, and perhaps a subtle assertion of personal character within the conventions of portraiture.