Francois Pascal Simon Gerard – Charles X (1757-1836)
1825 oil on canvas
Location: Palace of Versailles (Château de Versailles), Paris.
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The artist has employed a palette dominated by deep reds, golds, and blacks, contributing to a sense of grandeur and opulence. A heavy crimson curtain cascades from above, partially obscuring architectural details and creating a theatrical backdrop for the central figure. The folds of the fabric are painted with considerable skill, suggesting volume and texture.
He is adorned in an elaborate ceremonial robe, heavily embroidered with gold detailing. Beneath this, a dark coat reveals itself, further emphasizing his status. A white shirt with lace cuffs peeks from beneath the coat, adding another layer to the display of wealth and refinement. At his feet rests a crown upon a small table, alongside what appears to be a cloak or mantle draped over a chair. The presence of these royal symbols reinforces the subject’s position of power.
The setting itself is ambiguous; it could represent a throne room or another formal space within a palace. Architectural elements are visible behind the curtain, hinting at a larger and more elaborate environment beyond what is immediately shown. A sculpted lions head appears on the left side, adding to the overall sense of regal symbolism.
Subtly, there’s an air of melancholy conveyed through the figure’s expression and posture. While the outward display is one of power and authority, a certain weariness or introspection seems to underlie it. The somewhat muted lighting contributes to this mood, preventing any feeling of exuberant celebration. It suggests a man burdened by responsibility, perhaps aware of the precariousness of his position. The composition, while undeniably formal, hints at an underlying fragility within the display of power.