Francois Pascal Simon Gerard – Marie-Caroline de Bourbon (1798-1870) with her Children in Front of the Chateau de Rosny
1820 oil...
Location: Palace of Versailles (Château de Versailles), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire suggests high social standing; she is dressed in an empire-style gown with a pale yellow bodice and a blue skirt adorned with intricate gold detailing. Her hair is styled elaborately beneath a white bonnet. The children, one seated on the chair and the other standing at her feet, are similarly clothed in garments indicative of privilege and refinement. The boy holds what appears to be a flower, while the girl offers a similar bloom towards her mother.
The architectural elements – the column, balustrade, and implied presence of a chateau beyond – establish an environment of grandeur and stability. The landscape visible through the balustrade is idealized, suggesting prosperity and dominion over nature. The lighting is carefully orchestrated to highlight the figures’ faces and clothing, emphasizing their importance within the scene.
Subtly, the painting conveys themes of familial continuity and aristocratic lineage. The childrens proximity to the woman reinforces her role as a matriarch and guardian of future generations. The formal setting and elaborate costumes underscore the family’s elevated status and adherence to established social norms. The gesture of offering flowers might be interpreted as symbolic of innocence, beauty, or perhaps even a subtle claim to legitimacy and grace.
The overall effect is one of carefully constructed portraiture intended to project an image of respectability, wealth, and familial harmony – a visual statement designed to solidify the subject’s position within the social hierarchy.