The Celestial Art of Dan Morris 2004 Calendar Rear We@ISC Dan Morris

Here we observe a composite arrangement of small square images, presented as the rear panel of a calendar. The overall design is framed by a deep purple border punctuated with scattered gold stars against a dark blue background. Dominating the upper portion of the composition are two larger squares: one displaying a stylized sun figure radiating golden light, and another featuring a crescent moon encircled by intricate patterns. These are linked by the words Sun & Moon rendered in an ornate font.
Below these central motifs, twelve smaller square images are arranged in a grid, presumably representing individual months of the calendar year. Each image showcases a unique design incorporating geometric shapes, floral elements, and stylized depictions of human figures – primarily children or young adults – often surrounded by symbolic imagery such as suns, moons, and stars. The color palettes within these squares vary considerably, ranging from warm oranges and yellows to cooler blues and greens, creating visual interest and differentiation between the months.
The lower left corner contains a printed calendar grid for an unspecified month, alongside pricing information (USA $19.99 and Can $29.99). A barcode and ISBN are also present, along with publisher details.
A block of text occupies the bottom portion of the panel. It provides biographical information about the artist, Dan Morris, detailing his career trajectory in textile design and highlighting his stylistic range from realism to stylized forms. The text mentions his connection to musical artists like Bob Marley and The Grateful Dead, suggesting a possible thematic link between his art and countercultural influences. Contact information for the artist is also included.
Subtly woven throughout the imagery are themes of cyclical time (represented by the calendar format), celestial symbolism (sun, moon, stars), and childhood innocence (the frequent depiction of young figures). The intricate patterns and decorative elements suggest a connection to folk art traditions or perhaps a psychedelic aesthetic, reflecting an interest in visual complexity and symbolic meaning. The overall impression is one of whimsical artistry combined with a sense of spiritual or cosmic interconnectedness.