#11466 Ricardo Asensio

The painting presents a village scene rendered in a distinctive expressive style. Here we observe a cluster of buildings situated on a gentle slope, bathed in what appears to be late afternoon or early evening light. The structures are predominantly white with touches of blue and terracotta roofing tiles, suggesting a Mediterranean architectural influence. A few trees punctuate the composition, their forms simplified and rendered with thick, textured brushstrokes.
The artist’s handling of color is particularly noteworthy. While the buildings are illuminated by warm tones – yellows and oranges – the surrounding landscape is dominated by cooler hues: blues, purples, and greens. This contrast creates a sense of depth and atmosphere, suggesting that the light source originates from beyond the frame. The ground itself appears as an undulating expanse of earth, painted with layered strokes of brown, ochre, and red, which contribute to the overall feeling of movement and instability.
The foreground is characterized by a dark, reflective surface – likely water – that mirrors the colors and forms above, further amplifying the sense of depth and creating a visual echo. The brushwork throughout the painting is vigorous and impastoed, with visible ridges and peaks that add to its tactile quality. This technique lends an immediacy and emotional intensity to the scene.
Subtly, there’s a feeling of melancholy or quiet contemplation evoked by the subdued palette and the somewhat isolated nature of the village. The simplification of forms and the expressive use of color suggest more than just a literal depiction; it hints at a subjective experience of place – a memory, perhaps, or an emotional response to the landscape. The absence of human figures contributes to this sense of solitude and invites introspection on the part of the viewer.