Marcellus Coffermans – Assumption of the Virgin
16th century. 26×18 cm
Location: Art Institute, Chicago.
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The central figure is draped in a dark, enveloping garment, its folds meticulously rendered to suggest both weight and movement. The face exhibits an expression of serene acceptance, devoid of visible struggle or emotion. This contrasts with the gestures of those below, who display a range of reactions – grief, awe, supplication, and quiet contemplation.
The group assembled at the base is diverse in age and attire, suggesting a representation of various members of a community witnessing this extraordinary event. Several figures extend their arms towards the ascending figure, seemingly reaching out in farewell or seeking solace. One man, positioned slightly forward, raises his hands in what appears to be an act of reverence or prayer. The presence of bare feet among some individuals adds a layer of humility and vulnerability to the scene.
Below the group stands a stone structure, possibly a sarcophagus or tomb, which serves as the point from which the ascension originates. This detail reinforces the narrative of departure and transition.
The color palette is characterized by rich earth tones in the lower portion, contrasting with the ethereal blues, whites, and golds that define the upper section. The artist’s use of light creates a strong sense of depth and emphasizes the divine nature of the event being depicted. The overall effect is one of solemnity and wonder, conveying themes of faith, loss, and the promise of transcendence. The arrangement suggests a narrative moment of profound spiritual significance, likely marking a transition from earthly existence to a higher realm.