Joseph Wright of Derby – Miravan Breaking Open the Tomb of his Ancestors
1772
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man in the foreground, distinguished by his turban and light-colored cloak, appears to be directing the operation. He gestures towards the work with an air of authority, while observing the progress. A fourth figure stands further back, partially obscured by foliage, also seemingly involved or overseeing the action. The figures are bare-chested, their bodies rendered with a focus on anatomical detail and dramatic lighting that highlights their forms.
The tomb itself is elaborately decorated, exhibiting classical architectural elements – pilasters, cornices, and an ornate chandelier suspended from the ceiling. This opulence contrasts sharply with the destructive actions taking place before it. The light source appears to emanate primarily from within the tomb, casting deep shadows across the figures and emphasizing their physicality. A patch of dense foliage is visible on the left side of the canvas, framing the scene and suggesting an outdoor setting adjacent to the tomb’s structure.
Subtleties in the arrangement suggest a narrative beyond simple vandalism. The man directing the action seems less concerned with physical labor than with orchestrating the event. This implies a motivation rooted in something other than mere destruction – perhaps a quest for knowledge, power, or ancestral connection. The elaborate nature of the tomb suggests that it holds significant historical or familial importance, and its violation carries symbolic weight.
The contrast between the grandeur of the tomb and the rough physicality of the men performing the act creates a tension that speaks to themes of legacy, transgression, and the complex relationship between past and present. The scene evokes questions about respect for tradition versus the pursuit of individual goals, and the potential consequences of disrupting established order.