Johann Liss (c.1597-1629-30) – Ecstasy of Saint Paul Part 3

The composition presents a dramatic scene bathed in a luminous, almost theatrical light. A central figure, an older man with a long white beard and deeply lined face, is depicted in a posture of profound spiritual surrender. He appears to be overwhelmed by the celestial spectacle unfolding above him, his hands raised as if in acceptance or supplication. His clothing, a simple brown robe draped over his shoulders, suggests humility and devotion.
Above this figure, a group of angelic beings are arranged within swirling clouds, creating an atmosphere of divine intervention. Several figures play musical instruments – a violin and what appears to be a lute – their movements graceful and ethereal. The light source seems to emanate from behind the cloud formations, highlighting their forms and casting dramatic shadows across the scene. A sense of movement is conveyed through the billowing drapery of the angels’ garments and the dynamic arrangement of the clouds.
The artist has employed a limited palette dominated by warm tones – golds, browns, and yellows – which contribute to the overall feeling of warmth and spiritual intensity. The dark background serves to isolate the figures and intensify the luminosity of the heavenly realm.
Subtly, there is an interplay between earthly suffering and divine grace. The aged man’s expression conveys a mixture of pain and ecstasy, suggesting that his spiritual experience has been hard-won. The music played by the angels seems not merely decorative but integral to the transformative event – a conduit for divine communication and solace. The composition suggests a narrative of profound personal revelation, where earthly limitations are transcended through an encounter with the sublime. The placement of the man in shadow, contrasted against the radiant figures above, reinforces this theme of spiritual ascent from darkness into light.