Georg Engelhard Schröder – Fredrik I (1676-1751), king of Sweden and Ulrika Eleonora
1733. 149×129
Location: National Museum (Nationalmuseum), Stockholm.
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To his right sits a woman adorned in a white gown trimmed with lace and accented by a blue mantle edged with fur. She wears an ornate headdress embellished with jewels. Her hand is raised in a gesture that appears to be either pointing or offering something beyond the frame, her gaze directed upwards towards a light source positioned high above them.
The lighting within the painting is theatrical, highlighting the faces and garments of the subjects while leaving the background shrouded in shadow. A bright, almost celestial glow emanates from an area near the top center of the canvas, bearing what appears to be Hebrew lettering. This illumination draws the viewers eye upwards, creating a sense of divine presence or blessing.
The artist’s choice of color is significant; the rich red and gold on the man’s attire suggest power and wealth, while the woman’s white gown symbolizes purity and grace. The dark background creates a stark contrast, emphasizing the figures prominence and isolating them from their surroundings.
Subtly, the painting conveys themes of sovereignty and legitimacy. The gesture of the woman, combined with the celestial light and Hebrew inscription, might allude to divine right or a sanctioned rule. The man’s relaxed posture could be interpreted as confidence in his position, while the document he holds may symbolize governance or legal authority. Overall, the work aims to project an image of regal power underpinned by spiritual sanction.