Maria Hadfield Cosway – The Judgement of Korah, Dathan and Abiram
c.1801. 37×29
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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To the left stands a second male figure, seemingly observing the unfolding drama with a mixture of horror and perhaps pity. His posture is more restrained than that of the central figure; his arms are raised in a gesture that could be interpreted as either supplication or warning. He wears a simple tunic and cloak, contrasting with the vibrant color of the man’s garment.
The third individual lies prone on the ground, partially obscured by a swirling mass of pinkish-red smoke or mist rising from below. His face is turned downwards, suggesting defeat and despair. The ground itself seems to be fractured and unstable, contributing to the overall sense of chaos and impending doom.
Above, in the upper right corner, a small object – possibly a vessel or lamp – appears suspended against a dark, turbulent sky. It emits a faint glow that illuminates the scene, but also emphasizes the surrounding gloom. The color palette is muted, primarily consisting of browns, grays, and blacks, with the striking exception of the crimson cloth which draws immediate attention to the central figure’s struggle.
The subtexts within this work suggest themes of rebellion, divine retribution, and the consequences of challenging authority. The dynamic poses and expressions convey a sense of urgency and emotional turmoil. The swirling smoke or mist could symbolize both physical destruction and spiritual corruption. The contrast between the figures – the active rescuer, the horrified observer, and the fallen victim – hints at complex moral questions regarding responsibility and judgment. The isolated setting amplifies the feeling of vulnerability and isolation experienced by those caught in this catastrophic event.