Vincent van Gogh – The Bedroom
1889. 73.6 x 92.3 cm.
Location: Art Institute, Chicago.
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In the center of the room is a large wooden bed with a red blanket folded at the foot. To the left, a small wooden table holds a washbasin, pitcher, and toiletries. Two simple wooden chairs, painted yellow, are placed in the room, one near the table and another closer to the bed. Yellow frames hang on the blue walls, two containing portraits and others appearing empty or holding prints. A closed green-shuttered window lets in a bright, yellow light, casting a warm glow over the scene. A towel hangs on a hook by the door on the left, and a landscape painting hangs above the bed.
The subtext of The Bedroom is often interpreted as reflecting Van Goghs state of mind and his search for peace and simplicity. The bold, non-naturalistic colors are believed to convey his emotional state; the intense blues and yellows can evoke feelings of both calm and anxiety. The minimalist arrangement of the furniture, with everything seemingly placed with intention yet lacking personal adornment, could symbolize his desire for order and tranquility amidst his inner turmoil. The empty frames on the wall might suggest a longing for connection or perhaps a sense of isolation. Van Gogh himself intended for the painting to convey a sense of rest and simplicity, stating he wanted to express the absolute repose of the bedroom. However, the heightened colors and slightly distorted perspective can also create a feeling of unease or tension, hinting at the artists struggle with mental health. The painting, therefore, becomes a complex portrayal of a personal sanctuary that is both a refuge and a space where underlying emotional states are palpable.