Rijksmuseum: part 1 – Velde, Adriaen van de -- De verkondiging aan Maria, 1667
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman, positioned within a more illuminated area, appears to be reacting to the angel’s presence. Her posture conveys surprise and perhaps apprehension; her outstretched arm suggests a gesture of questioning or hesitant acceptance. She wears a blue robe over a pink underdress, with a white shawl draped across her shoulders. The arrangement of her garments emphasizes her modesty and dignity. A table stands beside her, upon which rests an open book or document, hinting at contemplation or study.
The artist has employed chiaroscuro – a dramatic contrast between light and dark – to create depth and focus attention on the central figures. The darkness enveloping much of the background serves to isolate them within a confined space, intensifying their interaction. The limited color palette, primarily consisting of blues, pinks, yellows, and whites, contributes to the painting’s overall solemnity and spiritual atmosphere.
Subtleties in the composition suggest layers of meaning beyond the immediate narrative. The angels entrance is not presented as a grand or overtly divine event; rather, it appears intimate and personal. The woman’s reaction – a mixture of surprise and uncertainty – implies an internal struggle or contemplation before accepting the message she is about to receive. The presence of the book on the table may symbolize knowledge, faith, or perhaps a preordained destiny. Overall, the painting conveys a sense of quiet reverence and anticipation, inviting viewers to contemplate themes of divine communication, acceptance, and the weight of responsibility.