Rijksmuseum: part 1 – Veen, Otto van -- Brinio op het schild geheven, 1600-1613
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the surrounding figures with varying degrees of detail and expression. Some appear strained under the weight of the shield, their faces etched with exertion. Others gaze upwards at the central figure, displaying a mixture of awe, curiosity, and perhaps even subservience. The crowd’s density creates a sense of both unity and potential instability; the precariousness of the elevated platform emphasizes this tension.
The background is less sharply defined, depicting a landscape punctuated by trees and what appears to be a distant fortified structure – a castle or city walls – suggesting a setting that could be either rural or urban. The muted tones in the background serve to draw attention towards the foreground action.
A subtle narrative element emerges from the inclusion of a small child clinging to the leg of a woman on the right side of the composition. This detail introduces an element of familial connection and perhaps hints at the continuity of power or tradition being celebrated.
The overall impression is one of a public ceremony, possibly marking a victory or the accession of a leader. The artist’s use of perspective and light directs the viewers gaze towards the central figure, reinforcing his prominence within the scene. The painting explores themes of leadership, communal support, and the visual representation of power through elevation and spectacle.