Fabritius, Barent – De rijke man en de arme Lazarus, 1661 Rijksmuseum: part 1

The composition is divided into two distinct zones, separated by a substantial architectural archway. The left side depicts a scene of opulent feasting, while the right portrays suffering and torment. This spatial division immediately establishes a stark contrast between wealth and poverty, pleasure and pain.
On the left, three figures are gathered around an elaborately laid table. A richly dressed man, identifiable by his elaborate hat and luxurious attire, presides over the meal. He is attended to by a woman bearing food on a platter; her posture suggests subservience and dutiful service. The abundance of food – roast fowl, fruits, and other delicacies – is emphasized, highlighting the extravagance of their lifestyle. A fourth figure, partially obscured in shadow, appears to be observing the scene from a distance, perhaps hinting at an awareness of the disparity between these lives.
The architectural setting on this side is characterized by marble columns and a tiled floor, further reinforcing the impression of wealth and status. The light falls evenly across the figures and table, creating a sense of warmth and comfort.
In stark contrast, the right side presents a scene of intense suffering. A man lies prostrate on the ground, seemingly in distress. He is attended to by another figure who appears to be gesturing towards an infernal vision visible through the archway. This vision depicts flames, tormented souls, and what seems to be a demonic presence. The light here is harsh and dramatic, casting long shadows and emphasizing the anguish of the scene. Dogs are present, adding to the sense of desolation and abandonment.
The architectural elements on this side are less refined; the archway itself appears worn and weathered, suggesting decay and neglect. The overall effect is one of profound misery and impending doom.
Subtleties within the painting suggest a narrative beyond the immediate visual contrast. The woman serving food seems to possess an expression that hints at unease or perhaps even pity for those she serves. This introduces a layer of moral complexity, suggesting that even within this privileged world, awareness of suffering exists. The figure observing from the shadows could represent a silent witness to injustice, prompting reflection on responsibility and compassion.
The use of light and shadow is particularly significant. The bright illumination of the feast contrasts sharply with the darkness enveloping the scene of torment, visually reinforcing the moral chasm between the two worlds depicted. This dramatic chiaroscuro contributes significantly to the paintings emotional impact, drawing the viewer’s attention to the stark realities of human existence – the disparity between those who have and those who lack.