Meijer, Hendrick de – De verovering van de stad Hulst op de Spanjaarden, 5 november 1645, 1645 Rijksmuseum: part 1

The canvas presents a scene of apparent aftermath and consolidation following a military engagement. A large body of water dominates the background, stretching towards a distant cityscape punctuated by towers and fortifications. The immediate foreground is occupied by a bustling encampment, likely established on the riverbank after a successful siege.
Here we see a group of soldiers and officers gathered around what appears to be a makeshift table or cart, engaged in paperwork or accounting. Their attire suggests a military hierarchy; some wear elaborate uniforms with plumes and sashes, while others are clad in more practical clothing suitable for campaigning. A sense of weary satisfaction pervades their posture – they are not actively fighting but rather administering the spoils of victory.
To the left, beneath a large tent displaying an orange banner (likely signifying allegiance to the Dutch Republic), a cluster of men on horseback observe the proceedings. Their expressions are unreadable, hinting at a detached authority overseeing the scene. The presence of several horses and carts laden with supplies underscores the logistical demands of military operations.
The artist has rendered the water with considerable attention to detail, depicting numerous sailing vessels – some bearing flags – navigating the waterway. These ships likely played a crucial role in transporting troops and provisions during the siege, and their continued activity suggests ongoing movement and control of the river. The sky is overcast, lending a muted tone to the overall composition.
Subtly embedded within this depiction of military triumph are elements that suggest broader themes. The meticulous documentation taking place at the table implies an emphasis on bureaucratic order and accountability – hallmarks of the Dutch Republic’s governance. The distant cityscape, viewed across the water, represents not only a conquered territory but also the potential for future conflict or integration. The scene is less about celebrating individual heroism and more about portraying the methodical process of consolidating power and establishing control after military success – a key aspect of the eras political landscape. The subdued color palette and realistic depiction contribute to an atmosphere of sober reflection rather than exuberant celebration, suggesting a pragmatic assessment of victory’s implications.