Snijders, Frans – Stilleven met klein dood wild en vruchten, 1600-1657 Rijksmuseum: part 1

The composition presents a lavish still life arranged on a draped table. A central focus is given to a hare, its fur rendered with meticulous detail and positioned prominently in the foreground. Several game birds – partridges or pigeons – are clustered near the hare, their plumage depicted with an attention to texture that suggests both realism and a certain theatricality.
To the left of the animals, a porcelain bowl overflows with ripe raspberries and cherries, nestled amongst asparagus spears. A complex arrangement of fruits – grapes, peaches, plums – is displayed in an ornate gilded basket on the right side of the table. The abundance of produce conveys a sense of prosperity and indulgence. Scattered around these primary elements are smaller details: a silver goblet, a small golden container, and what appears to be a decorative key or small tool lying near the edge of the table.
The dark background serves to heighten the contrast with the brightly lit objects, drawing attention to their textures and colors. The lighting is carefully orchestrated; it illuminates the surfaces of the fruits and animals, creating highlights and shadows that contribute to the illusion of three-dimensionality.
Beyond a simple depiction of food and game, the painting carries symbolic weight. The presence of dead game suggests themes of mortality and the transience of earthly pleasures – a common motif in vanitas paintings. The juxtaposition of ripe fruit and hunted animals can be interpreted as a meditation on abundance versus scarcity, life versus death. The luxurious tableware hints at wealth and refinement, while the overall arrangement implies a celebration of the senses and the bounty of nature. The inclusion of seemingly mundane objects like the key introduces an element of mystery, perhaps suggesting hidden values or access to something beyond what is immediately visible.