Wassenbergh, Jan Abel – Louise Christina Trip (gest 1733). Echtgenote van Gerrit Stichterman, 1710 - 1750 Rijksmuseum: part 1

The portrait presents a seated woman in what appears to be a formal outdoor setting. She is positioned slightly off-center within the composition, her gaze directed towards the viewer with a measured and composed expression. The artist has chosen a three-quarter pose, allowing for a detailed depiction of her attire and facial features while maintaining a sense of dignified presence.
The woman’s clothing contributes significantly to the overall impression of status and refinement. A flowing gown in pale grey dominates the visual field, its texture rendered with subtle gradations of light and shadow that suggest luxurious fabric. The bodice is modestly low-cut, revealing a delicate string of pearls at her throat – a common symbol of wealth and virtue during this period. A deep blue velvet panel contrasts sharply with the lightness of the gown, drawing attention to the waistline and adding depth to the composition. The sleeves are gathered loosely at the elbow, hinting at an ease within formality.
Behind the woman, a dark green curtain is draped, creating a theatrical backdrop that isolates her from the surrounding environment. Through this curtain, a glimpse of a landscape can be discerned – a formal garden with sculpted trees and what appears to be a statue in the distance. This carefully constructed background suggests a cultivated taste and access to privileged spaces.
The woman’s hair is styled in an elaborate fashion, typical of the early eighteenth century, with curls cascading around her shoulders. The arrangement is both intricate and controlled, reflecting the societal expectations placed upon women of her standing. A small cluster of pink roses rests on the lower left corner of the gown, a possible allusion to love or beauty, although their placement seems more decorative than symbolic.
The lighting in the painting is soft and diffused, illuminating the woman’s face evenly and minimizing harsh shadows. This contributes to an atmosphere of serenity and composure. The artists attention to detail – from the rendering of the pearls to the folds of the fabric – suggests a desire to create a lasting record of her subject’s appearance and social standing.
Subtly, there is a sense of restraint in the portrait. While displaying wealth and elegance, the woman does not project an overt display of emotion or exuberance. This controlled demeanor likely reflects the societal norms that dictated appropriate behavior for women of high birth during this era – a balance between demonstrating status and maintaining decorum.