Portrait of Charles-Claude de Flahaut de la Billarderie, Comte d’Angiviller (1730-1809) Joseph Siffred Duplessis (1725-1802)

The portrait presents a gentleman seated in a richly upholstered chair, positioned slightly off-center within the composition. He is depicted from the waist up, his gaze directed towards the viewer with a measured and somewhat self-assured expression. The lighting emphasizes his face and upper torso, creating a sense of prominence while leaving the background subtly blurred.
The sitter’s attire speaks to his social standing. A pale pink coat, meticulously tailored, covers an elaborate waistcoat embroidered with floral patterns. A powdered wig, characteristic of the period, frames his face, contributing to the overall impression of aristocratic refinement. Several medals and a ribbon adorn his chest, signifying honors or membership in prestigious organizations. He holds a document – likely a map or architectural plan – in his left hand, which is positioned across a small table beside him. The presence of this document suggests an interest in intellectual pursuits or administrative responsibilities. A handwritten note on the paper adds a personal touch and hints at ongoing business.
The chair itself is noteworthy; its ornate gilded frame and plush fabric reinforce the sitter’s wealth and status. Behind him, a glimpse of foliage through a window introduces a natural element into the otherwise formal setting. The color palette is dominated by soft pinks, creams, and blues, contributing to an atmosphere of elegance and tranquility.
Subtleties within the portrait suggest more than just a straightforward representation of a man’s appearance. His posture conveys a certain degree of relaxation, yet his gaze maintains a level of formality. The careful arrangement of objects – the chair, the table, the document – creates a sense of order and control. The overall effect is one of cultivated leisure and quiet authority, portraying an individual who occupies a position of influence within society.