Manyara Afternoon Simon Combes (1940-2004)

The artwork presents a scene of tranquil repose within a lush, verdant environment. Two lions occupy the foreground, their bodies draped languidly across a thick, gnarled tree branch. The composition is dominated by the interplay between these powerful animals and the dense foliage that forms the backdrop.
Here we see a deliberate contrast established between the strength implied by the subjects’ leonine nature and the apparent vulnerability of their posture. They are not engaged in any activity; instead, they appear utterly relaxed, almost dissolving into the surrounding vegetation. The artist has rendered their fur with meticulous detail, capturing the subtle variations in tone and texture that suggest warmth and softness.
The light filtering through the leaves creates a dappled effect on the lions’ coats and the branch itself, contributing to an atmosphere of serenity and stillness. A sense of depth is achieved through the layering of foliage, which recedes into a hazy distance punctuated by glimpses of sky. The color palette is predominantly green and gold, evoking a feeling of warmth and natural abundance.
Beyond the immediate depiction of lions at rest, the painting seems to explore themes of harmony between predator and environment. It suggests an acceptance of the natural order, where even apex predators find moments of quietude within their domain. Theres a subtle commentary on the cyclical nature of life – strength and vulnerability existing side-by-side. The composition’s horizontal emphasis reinforces this sense of balance and peaceful coexistence.

The artist’s choice to place the lions in such an exposed position, resting precariously on a branch, introduces a layer of subtext concerning trust and security within their habitat. It implies that even in seemingly safe environments, vigilance is necessary, though momentarily suspended.