“Strawberries, Scarlet Strawberries”, plate 9 of “The Cries of London” Francis Wheatley (1747-1801)

Here we observe a scene depicting a young woman engaged in trade within a bustling urban environment. The central figure carries a large woven basket balanced atop her head, overflowing with what appears to be fresh produce – likely strawberries, judging by the accompanying text. She wears a simple, practical dress of light fabric, cinched at the waist with a dark ribbon, and sturdy shoes appropriate for traversing uneven streets. A smaller basket hangs from her arm, suggesting she is prepared to serve individual customers.
The setting appears to be a London thoroughfare. Buildings line both sides of the street, rendered in a somewhat generic style that emphasizes their uniformity rather than any specific architectural details. A horse-drawn cart and carriage are visible, indicating the presence of commerce and transportation within this space. Several figures populate the background: a man in a dark coat appears to be overseeing the horses, while a gentleman seated in a carriage observes the scene with an air of detached curiosity.
The composition directs attention towards the woman’s labor. The artist has positioned her centrally, bathed in light that highlights her posture and the burden she carries. Her gaze is directed outwards, presumably toward potential buyers, conveying a sense of purpose and resilience. However, theres also a subtle vulnerability present; the weight of the basket seems considerable, and her stance suggests a degree of strain.
Subtexts within this depiction revolve around themes of labor, class, and urban life. The woman’s occupation – a street vendor – places her firmly within the working class, reliant on daily sales for survival. Her attire, while clean, is indicative of modest means. The presence of the affluent gentleman in the carriage underscores a social hierarchy; he observes her work from a position of privilege, seemingly unaffected by the physical demands she endures.
The image also speaks to the burgeoning urban landscape of London during this period. The crowded streets and commercial activity reflect the city’s growth and its increasing reliance on trade and labor for sustenance. The artists choice to focus on an everyday scene – a woman selling fruit – elevates a commonplace occupation, offering a glimpse into the lives of those who sustained the city through their toil. Ultimately, the work presents a nuanced portrait of London life, balancing depictions of industry with subtle commentary on social disparities.