Madonna and Child between Saints Jerome and Anna (Madonna Baglioni) Andrea Previtali (Cordegliaghi) (c.1480-1528)

The composition presents a devotional scene centered around a maternal figure and her child, flanked by two older figures in what appears to be a formalized setting. The central female figure is draped in rich blue robes, her gaze directed forward with a quiet solemnity. She holds the infant securely on her lap; he is partially unclothed and engages with an open book, his expression seemingly focused on its contents. A halo encircles his head, signifying divine status.
To the left of the maternal figure stands a bearded man clad in a deep red cloak, holding a large volume bound in what appears to be leather or metalwork. His posture is one of reverence and contemplation, suggesting a role as an interpreter or scholar. On the right, another woman, dressed in green robes with a white veil, raises her hands in a gesture of prayer or supplication. Her face exhibits a similar expression of piety and devotion.
The background establishes a sense of depth and perspective. An architectural structure, possibly a colonnade or portico, recedes into the distance, framing a landscape featuring rolling hills, distant settlements, and mountains under a hazy sky. The use of aerial perspective creates an illusion of vastness and reinforces the spiritual nature of the scene.
The color palette is dominated by deep reds, blues, and greens, with touches of gold highlighting details such as the halos and decorative elements on the garments. This combination contributes to the painting’s overall sense of richness and solemnity. The lighting appears diffused, illuminating the figures evenly without creating harsh shadows, which further emphasizes their idealized nature.
Subtextually, the work seems to explore themes of faith, learning, and intergenerational piety. The infants engagement with the book suggests a connection between divine knowledge and early education. The presence of the two flanking figures implies a lineage or succession of devotion, possibly representing familial or institutional ties within a religious context. The architectural backdrop, while seemingly realistic, may symbolize a transition from earthly existence to a higher spiritual realm. Overall, the painting conveys a sense of quiet reverence and emphasizes the importance of faith and learning within a structured social framework.