San Quirino (Berbenno Polyptych) Andrea Previtali (Cordegliaghi) (c.1480-1528)

The composition presents a solitary figure set against a dark, undefined background. The individual is depicted in profile, facing left, and occupies nearly the entire vertical space of the frame. A halo encircles the head, immediately signaling a spiritual or divine significance.
Here we see a man dressed in elaborate vestments; a long, emerald-green tunic dominates the attire, layered with white and gold fabric that suggests both wealth and ecclesiastical status. A prominent red cross is embroidered on the garment, further reinforcing a connection to Christian iconography. He holds an open book close to his chest, suggesting scholarship, faith, or perhaps the transmission of divine knowledge. A cluster of reeds or stalks are held in his other hand; this detail could allude to a specific narrative or attribute associated with the figure’s identity.
The artist employed a restrained palette, primarily utilizing greens, whites, golds, and reds. The limited color range contributes to a sense of solemnity and austerity. Light falls unevenly on the figure, highlighting the face and hands while leaving portions of the garments in shadow. This creates a subtle play of light and dark that adds depth and visual interest.
The posture is dignified and upright, conveying an air of authority and serenity. The gaze is directed forward, suggesting contemplation or perhaps a connection with something beyond the viewer’s perspective. The overall effect is one of quiet reverence; the figure appears to be both present and removed, grounded in earthly form yet elevated by spiritual grace.
Subtly, theres an emphasis on verticality – the elongated body, the straight posture, the upward reach of the gaze – which reinforces a sense of aspiration and transcendence. The dark background serves to isolate the figure, drawing attention solely to his presence and symbolic attributes.