Nepal – Rukmini Seeks Krishna’s Permission to Visit her Brother Rukma, page from a manuscript of the Bhagavata Purana
~1775. 53×38 cm
Location: Art Institute, Chicago.
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The central focus lies upon a tiered structure rising above the red wall. Here we see a group of figures engaged in dialogue. A male figure, presumably the subject of Rukmini’s request, stands with his consort, both adorned in vibrant attire and exhibiting gestures indicative of polite conversation. Several other individuals are positioned nearby, observing the exchange; their expressions are difficult to discern but contribute to the sense of formality and importance surrounding the event.
The artist has employed a flattened perspective, characteristic of manuscript illumination, which minimizes depth and prioritizes clarity of detail. The color palette is rich and saturated, with reds, yellows, greens, and blues predominating. This vibrancy enhances the visual impact and likely signifies the auspicious nature of the depicted narrative.
Subtleties within the composition hint at underlying themes. The red wall, while providing a sense of enclosure and privacy, also acts as a symbolic barrier between Rukmini and her desire to visit her brother. The boats suggest travel and connection, yet their small scale relative to the palace emphasizes the distance that must be traversed. The positioning of the figures – the supplicant, the authority figure, and the observers – underscores the hierarchical structure inherent in the social context of the narrative. The overall impression is one of restrained elegance and carefully orchestrated ritual, reflecting a moment of negotiation within a complex familial and societal framework.