Roerich N.K. – Himalayas #177
1941. Tempera on cardboard. 30.5 x 45.7 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The sky occupies a significant portion of the composition. It transitions from a dusky pink near the horizon to a muted grey-blue overhead, hinting at either sunrise or sunset. The application of color is not entirely uniform; subtle variations create texture and prevent the sky from appearing flat.
A horizontal band of earth tones – browns and greys – runs along the lower edge of the painting, grounding the composition and providing contrast to the cool blues above. This strip appears relatively featureless, drawing attention upwards towards the mountains and sky. The artist employed a deliberate flatness in the depiction of this ground plane, which contributes to an overall sense of abstraction rather than realistic representation.
The color palette is restrained, primarily utilizing variations within blue, white, pink, grey, and brown. This limited range reinforces the feeling of coldness and vastness associated with mountainous terrain. The brushwork appears somewhat textured, suggesting a layered application of paint that adds visual interest to the surface.
Subtly, there’s an impression of isolation conveyed through the stark landscape and absence of human presence. The monumental scale of the mountains dwarfs any potential for human intervention or habitation, fostering a sense of awe and perhaps even vulnerability in the viewer. The painting seems less concerned with depicting a specific location than it is with conveying a mood – one of quiet grandeur, remote beauty, and the sublime power of nature.