Roerich N.K. – The Himalayas # 122 Rock Circle
1941. Cardboard, tempera. 30.7 x 45.7 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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The foreground features a darker blue range, which gradually lightens towards the peaks, culminating in a hazy, indistinct horizon line. This transition is punctuated by a band of warm yellow-orange tones near the upper edge of the composition, hinting at either sunrise or sunset. The sky itself appears as a muted grey-blue, blending seamlessly with the distant mountains.
The absence of any human presence or vegetation contributes to an overall feeling of vastness and solitude. The stark simplicity of the forms and the limited color palette evoke a sense of spiritual contemplation rather than a purely representational depiction of nature. One might interpret this as an exploration of monumental scale, emphasizing the power and permanence of geological formations.
The painting’s subtexts could be understood as relating to themes of transcendence and the sublime – the experience of awe mixed with fear in the face of overwhelming natural forces. The stylized rendering suggests a desire to move beyond mere observation towards a more symbolic or emotional engagement with the landscape, hinting at an inner world reflected in the external environment.