Henrik Münnichhofen (Attributed) – Maria Eleonora by Brandenburg
76×61
Location: National Museum (Nationalmuseum), Stockholm.
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The woman’s attire consists of a dark green gown with white sleeves, fastened at the neckline with what seems to be a pearl necklace. A decorative shoulder piece, adorned with foliage and possibly symbolic emblems, is visible on her left side. Her hair, styled in elaborate curls, is partially concealed by a black ribbon or band.
The most striking element of the composition is the presence of a bow and arrow held in her left hand. The bow’s curve echoes the contours of her body, while the arrow points diagonally across the frame, creating a dynamic visual line. This inclusion immediately suggests an association with classical mythology, specifically Artemis or Diana, the Greek goddess of the hunt, wilderness, wild animals, the Moon, and archery.
The subtexts within this painting are layered. The depiction of the woman holding weaponry moves beyond a simple portrait; it implies strength, independence, and perhaps even a degree of defiance against conventional expectations for women in her time. The allusion to Artemis suggests qualities such as purity, skill, and connection to nature – attributes that could be intended to elevate the subject’s status or project an idealized image.
The muted color palette and somber background contribute to a sense of formality and gravity. While there is a certain elegance in the presentation, the overall effect is not one of exuberant joy but rather of quiet dignity and perhaps a hint of underlying sadness. The artist has skillfully employed symbolism and composition to create a portrait that transcends mere representation, offering instead a glimpse into a complex personality and hinting at a narrative beyond what is immediately visible.