Thomas Eakins, American, 1844-1916 – Antiquated Music (Portrait of Sarah Sagehorn Frishmuth) Philadelphia Museum of Art

The composition presents a seated woman within a densely packed environment of musical instruments and artifacts. She occupies the central position, her posture suggesting both composure and a certain melancholy. The artist has rendered her in dark clothing, emphasizing the somber tones that dominate the scene. Her gaze is directed towards the viewer, yet there’s an ambiguity to her expression – it could be interpreted as thoughtful introspection or perhaps a quiet resignation.
The background is deliberately obscured, creating a sense of depth and drawing attention to the figure and the objects surrounding her. A large keyboard instrument looms behind her, its presence suggesting a connection to formal musical training, though she does not appear to interact with it directly. Instead, her hand rests on what appears to be an archaic stringed instrument, further reinforcing the theme of antiquated music suggested by the title.
Scattered across the floor and arranged around her are various instruments – drums, horns, a harp, and other unidentified objects – all rendered in meticulous detail. These items seem less like a collection curated for display and more like remnants of a life steeped in musical pursuits, hinting at a past era or perhaps a fading tradition. The inclusion of an ornate mirror to the right adds another layer of complexity; it reflects a portion of the room, but also serves as a symbolic device, potentially alluding to self-reflection or the passage of time.
The overall effect is one of quiet contemplation and a sense of loss. The abundance of musical instruments, coupled with the woman’s demeanor, suggests a reverence for music that may be in decline or has become disconnected from contemporary society. Theres an underlying narrative of preservation – a desire to hold onto something precious amidst change. The artist seems interested not only in portraying a likeness but also in exploring themes of memory, tradition, and the enduring power of art in the face of obsolescence.