Sir Peter Lely (Pieter van der Faes), English (active Netherlands), 1618-1680 – Portrait of James Butler, 12th Earl and 1st Duke of Ormonde Philadelphia Museum of Art
Philadelphia Museum of Art – Sir Peter Lely (Pieter van der Faes), English (active Netherlands), 1618-1680 -- Portrait of James Butler, 12th Earl and 1st Duke of Ormonde 1647. 121.6 x 92.7 cm
The portrait presents a gentleman in three-quarter view, positioned against a dramatically dark backdrop that emphasizes his presence and status. He is depicted from the chest upwards, with his gaze directed towards the viewer, establishing a direct connection intended to convey authority and confidence. The sitter’s attire immediately suggests nobility; he wears a richly detailed doublet of brown and black velvet, adorned with intricate embroidery along the sleeves and front panels. A subtle sheen on the fabric indicates luxurious materials and careful tailoring. A delicate lace cravat at his neck further underscores his refinement and social standing. His hair is long, styled in loose waves that frame his face, a fashionable aesthetic of the period. The facial features are rendered with meticulous detail – a strong jawline, well-defined nose, and attentive eyes – contributing to an impression of intelligence and seriousness. He holds a walking stick in his left hand, casually positioned but suggesting readiness and control. The background is particularly noteworthy. It’s not entirely dark; instead, a landscape appears faintly visible through the gloom. This landscape, rendered in muted tones of pink, grey, and brown, seems to depict rolling hills or distant mountains under an overcast sky. The indistinct nature of this backdrop prevents it from distracting from the central figure but subtly hints at expansive lands and dominion – a visual cue associated with aristocratic power and ownership. The overall effect is one of restrained grandeur. Theres a deliberate avoidance of overt displays of wealth, instead opting for a presentation that emphasizes dignity and inherent authority. The subdued color palette, dominated by browns, blacks, and muted earth tones, reinforces this sense of solemnity and gravitas. The artist’s choice to place the figure against such a dark background serves not only to isolate him but also to create an atmosphere of mystery and importance, suggesting a man of considerable influence and standing within his society.
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Sir Peter Lely (Pieter van der Faes), English (active Netherlands), 1618-1680 -- Portrait of James Butler, 12th Earl and 1st Duke of Ormonde — Philadelphia Museum of Art
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His hair is long, styled in loose waves that frame his face, a fashionable aesthetic of the period. The facial features are rendered with meticulous detail – a strong jawline, well-defined nose, and attentive eyes – contributing to an impression of intelligence and seriousness. He holds a walking stick in his left hand, casually positioned but suggesting readiness and control.
The background is particularly noteworthy. It’s not entirely dark; instead, a landscape appears faintly visible through the gloom. This landscape, rendered in muted tones of pink, grey, and brown, seems to depict rolling hills or distant mountains under an overcast sky. The indistinct nature of this backdrop prevents it from distracting from the central figure but subtly hints at expansive lands and dominion – a visual cue associated with aristocratic power and ownership.
The overall effect is one of restrained grandeur. Theres a deliberate avoidance of overt displays of wealth, instead opting for a presentation that emphasizes dignity and inherent authority. The subdued color palette, dominated by browns, blacks, and muted earth tones, reinforces this sense of solemnity and gravitas. The artist’s choice to place the figure against such a dark background serves not only to isolate him but also to create an atmosphere of mystery and importance, suggesting a man of considerable influence and standing within his society.