Philadelphia Museum of Art – Paul Gauguin, French, 1848-1903 -- The Sacred Mountain (Parahi Te Marae)
1892. 66 x 88.9 cm
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Below the hill, a dark, imposing wall stretches across the foreground. This construction is composed of rectangular blocks, arranged in a repetitive pattern that suggests both artificiality and permanence. The wall’s starkness contrasts with the organic forms surrounding it. A profusion of stylized flora erupts from the lower left corner, employing vibrant hues of pink, red, and purple. These plants are not depicted realistically; instead, they appear as flattened shapes, contributing to a decorative quality that borders on abstraction.
The background features a muted sky – a blend of blues and grays – and hints of distant landmasses or hills. The horizon line is relatively low, emphasizing the vastness of the landscape and the imposing nature of the central hill.
The painting’s color palette is notable for its use of non-naturalistic tones. The yellows are intense, the pinks almost jarring, and the greens appear somewhat subdued. This deliberate distortion of color contributes to a dreamlike quality, suggesting that the scene is not intended as a precise representation of reality but rather an evocation of a particular mood or spiritual atmosphere.
Subtly, theres a tension between the man-made (the wall and structure) and the natural world (the hill and vegetation). The wall acts as a barrier, separating the viewer from the sacred space atop the hill. The figure’s isolation suggests a sense of introspection or spiritual connection, while the stylized flora hints at a symbolic language beyond immediate comprehension. The overall impression is one of a place imbued with mystery and ritual significance – a landscape where human presence exists in harmony with, yet also distinct from, the powerful forces of nature.