Philadelphia Museum of Art – Erasmus Quellinus II, Flemish (active Antwerp), 1607-1678 -- Saint Thomas Touching Christ’s Wounds
1644. 39 x 54.8 cm
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The kneeling man appears aged, his posture conveying humility and reverence. His hands are raised in supplication as he reaches out to touch the wounds on the other’s hand. The gesture is not one of aggression or demand but rather of seeking solace or healing.
A group of onlookers forms a semi-circle around the central figures. Their expressions range from curiosity to concern, some appearing skeptical while others seem moved by the scene unfolding before them. They are dressed in simple garments, suggesting a setting that could be either domestic or institutional. The architectural backdrop – a series of arches and columns – adds a sense of grandeur and formality to the event, hinting at a public display or a significant religious ceremony.
The color palette is dominated by warm earth tones – ochres, browns, and golds – which contribute to the overall atmosphere of solemnity and piety. The limited range of colors focuses attention on the figures themselves and their interaction. The use of chiaroscuro – the stark contrast between light and dark – heightens the emotional intensity of the scene, emphasizing the suffering of one figure and the faith of another.
Subtly, the painting explores themes of divine mercy, human suffering, and the power of touch as a conduit for healing or spiritual connection. The presence of the onlookers suggests that this event is not merely personal but carries broader implications for the community witnessing it. It invites contemplation on the nature of faith, compassion, and the enduring impact of sacrifice.