Philadelphia Museum of Art – William E. Winner, American, 1819-1883 -- Domestic Felicity
1845-50. 50.8 x 67.6 cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Two children are positioned slightly lower within the foreground. One child, clad in yellow, seems to be interacting playfully with another dressed in red. The interaction appears gentle, suggesting familial harmony rather than boisterous play. They are situated amidst wildflowers and tall grasses, further emphasizing their connection to nature.
The landscape stretches out behind them, receding into a hazy distance where rolling hills meet a vibrant sky painted with hues of pink and orange – indicative of either sunrise or sunset. This expansive vista contributes to the overall sense of tranquility and idyllic beauty. The light is soft and diffused, bathing the scene in a warm glow that enhances the feeling of peacefulness.
The artist’s choice of clothing for the figures – the womans flowing white gown and the man’s relaxed attire – suggests an era characterized by leisurely pursuits and refined sensibilities. The meticulous rendering of foliage and the careful attention to detail in the depiction of facial expressions all point towards a deliberate effort to portray a moment of idealized domesticity.
Subtly, the painting conveys notions of social status and privilege. The family’s relaxed posture and access to an expansive natural landscape imply a degree of economic security and leisure time unavailable to many. The scene is not merely about familial love; it also subtly reinforces societal values associated with prosperity and refinement. The placement of the children slightly removed from the adults, yet still within their sphere of influence, hints at the transmission of these values across generations.