malevich168 Kazimir Malevich (1879-1935)
Kazimir Malevich – malevich168
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Painter: Kazimir Malevich
The work is currently held in St. Petersburg, in the State Russian Museum. It was painted in the early 1930s on oil on canvas. The size of the canvas is 79x98,5 centimeters. At this time the artist was moving to the period of his creativity, where he tried to create new human figures and objects, which seemed to be assembled from different geometric figures. After this stage, he began to depict characters that could be easily recognized.
Description of the painting "Bathers" by Kazimir Malevich
The work is currently held in St. Petersburg, in the State Russian Museum. It was painted in the early 1930s on oil on canvas. The size of the canvas is 79x98,5 centimeters.
At this time the artist was moving to the period of his creativity, where he tried to create new human figures and objects, which seemed to be assembled from different geometric figures. After this stage, he began to depict characters that could be easily recognized. These were realistic objects and characters. Here Malevich had to abandon Suprematism.
The painting of the performance is more like some kind of caricature, carelessly executed on paper between cases. In front of us we see three naked men who have similar appearance and build. One has a different hair color from the other men, as well as a beard. He is even missing a face. Kazimir Malevich decided to leave him with a simple white oval.
At the time, it is quite possible that Malevich wanted to copy the patterns that were previously installed on the beaches. These were such large templates in which you could insert your face, and you had the opportunity to be photographed in a different, unlike yourself in the present image. It is the athletic structure of the figures depicted that brings this idea to mind. Exactly such, were drawn on the beach templates. The painter, tauntingly, as if offering anyone who wishes to frame his face under an empty oval.
It is very hard to understand why the swimmers have hardly any toes visible. Some critics believe that the poorly rendered fingers of the characters indicate that the characters on the canvas have no sense of life. All the faceless outlines of the people in Malevich’s paintings are a kind of spiritual energy, which can be compared to a fresco in a church.
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The picture has something of this: man, people, sculpture, artistic, wear, ancient, statue, woman, figure, museum, cavalry, culture.
Perhaps it’s a group of three men standing next to each other in front of a blue, yellow, red, and orange painting with a blue sky in the background.