1912 Self-Portrait in the Studio watercolor Carl Larsson (1853-1919)

The watercolor presents a scene within what appears to be a working studio. A figure, presumably the artist, occupies a prominent position seated in a comfortable armchair. He is dressed in light-colored clothing and wears spectacles, holding a sketchbook or drawing board in his lap while observing something beyond the frame. The posture suggests contemplation rather than active creation at that moment.
The space itself is defined by paneled walls rendered in warm, earthy tones – ochres, siennas, and touches of red – creating an atmosphere of enclosure and intimacy. These panels are not uniformly depicted; some appear more detailed than others, contributing to a sense of depth and visual complexity. A doorway is visible at the far end of the room, hinting at a space beyond the studio itself, though its contents remain indistinct.
A table situated in front of the artist serves as a focal point for several objects. A classical sculpture – a female figure reminiscent of Venus – stands on the table, alongside a vase containing flowers and a collection of brushes. The arrangement suggests an engagement with both artistic tradition (the sculpture) and the immediate inspiration of nature (the flowers). A red footstool is placed beneath the table, adding another layer to the compositions visual texture.
The artist’s studio seems deliberately arranged to convey a sense of established practice and intellectual curiosity. The presence of the classical statue implies an awareness of art history and a desire for connection with artistic predecessors. The flowers introduce a touch of naturalism, suggesting that observation from life is also integral to his creative process. The overall impression is one of a thoughtful artist immersed in his environment, poised between reflection and creation. The subdued color palette reinforces the feeling of quiet introspection.