William Collins – Frost Scene
1827. 84×109
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is populated with figures engaged in various activities. A group gathers around a makeshift table laden with food and drink, seemingly enjoying a respite from the harsh weather. Their clothing appears practical and warm, indicative of a working-class population. Nearby, individuals are shown clearing snow or tending to equipment, suggesting labor continues even amidst the winter’s grip.
A more prominent element is the presence of a rider on horseback, accompanied by a child. They are positioned slightly elevated from the rest of the scene, creating a visual separation that hints at social standing. The horse itself is rendered with considerable detail, its white coat contrasting against the darker tones of the surrounding landscape. This figure’s position suggests observation rather than participation in the communal activities below.
The frozen expanse serves as both a stage and a barrier. In the distance, figures are visible skating on the ice, adding a touch of leisure to the otherwise austere environment. The cityscape beyond the frozen surface is rendered with less detail, appearing almost ethereal, suggesting its remoteness from the immediate concerns of those depicted in the foreground.
Subtly embedded within this depiction is an exploration of social dynamics and class distinctions. While the scene portrays a shared experience of winter’s harshness, the riders elevated position and detached demeanor imply a separation from the working population below. The painting seems to contemplate the interplay between communal life and individual privilege against the backdrop of a natural environment that imposes its own constraints on all. The overall impression is one of quiet contemplation, inviting reflection on themes of labor, leisure, and social hierarchy within a specific historical context.