Per Kalling (1700-1795) * Lorens Pasch the Elder (1702-1766)

The portrait presents a gentleman in three-quarter view against a dark, undefined background. He is positioned slightly left of center, his gaze directed towards the viewer with a measured expression. The sitters attire immediately establishes him as a person of some status. A rich blue coat, adorned with elaborate gold embroidery and button detailing, dominates the composition. Beneath the coat, a pale shirt collar is visible, contrasting with the darker tones of the jacket. He wears a yellow waistcoat, partially obscured by the outer garment, adding another layer to his opulent presentation.
The man’s hair is styled in the fashionable manner of the period – powdered and arranged into voluminous curls that frame his face. This coiffure, along with the elaborate clothing, signals adherence to contemporary trends and an awareness of social expectations. The artist has rendered the skin tones with a subtle gradation, suggesting a careful observation of light and shadow. A slight flush on the cheeks hints at vitality while maintaining a sense of dignified composure.
Inscribed in elegant script above the figure are two names: Herr followed by a surname and birthdate (1701), and another name accompanied by a date (1765). These inscriptions, positioned as if emerging from the darkness behind the subject, serve to identify him and potentially mark an event or period of significance. The lettering’s placement suggests a deliberate attempt at memorialization or formal documentation.
The overall effect is one of restrained formality. There are no overt displays of emotion; instead, the portrait conveys a sense of quiet authority and self-possession. The limited color palette – primarily blues, golds, and creams – contributes to this atmosphere of dignified reserve. The artist’s brushwork appears relatively loose, particularly in the rendering of the background and the folds of the clothing, which lends a certain immediacy to the work while maintaining an overall sense of polish. A small signature at the bottom right corner indicates the artists presence and confirms the date of creation (1762).