Reuterholm, unknown female member of the genus Lorens Pasch the Elder (1702-1766)

The portrait presents a woman in a three-quarter view, her gaze directed towards the viewer with a measured composure. The composition is tightly focused on the upper body and face, eliminating any background details that might offer contextual clues beyond the immediate presentation of the sitter.
Here we see an individual characterized by pale skin and delicate features, typical of aristocratic portraiture from the 18th century. Her hair, styled in elaborate ringlets and powdered white, is adorned with a floral arrangement – a single rose and what appears to be a small sprig of foliage – positioned near the temple. This detail suggests an awareness of fashionable aesthetics and a desire to project refinement. A blue ribbon or scarf drapes loosely around her shoulders, partially obscuring the neckline of her gown. The fabric itself is rendered with a degree of textural complexity, suggesting a luxurious material such as silk or satin.
The artist has employed a soft lighting scheme that emphasizes the smoothness of the skin and minimizes harsh shadows. This contributes to an overall impression of gentility and serenity. A subtle blush on the cheeks and lips adds a touch of life to the otherwise idealized representation.
Subtly, there is a sense of restraint in her expression; it’s not overtly joyful or sorrowful, but rather conveys a quiet dignity. The directness of her gaze suggests an assertion of presence and status. The choice of colors – the pale skin tones contrasted with the blue ribbon and the delicate pinks of the gown – creates a harmonious visual balance that reinforces the sitters perceived elegance.
The painting’s overall effect is one of studied formality, indicative of a commissioned portrait intended to establish or reinforce social standing. It speaks to an era preoccupied with appearances and the careful construction of identity through visual representation.