Thomas Stothard – Prospero, Miranda and Ariel, from The Tempest, Act I, scene 2
c.1799. 21×26
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right, two figures are positioned closer to the foreground. An older man, distinguished by his long white beard and somber blue robes, stands with an authoritative bearing. He holds a staff, which reinforces his role as a figure of power and control. Beside him, a younger woman is partially obscured, her face turned towards the airborne figure, displaying an expression that blends apprehension and curiosity. Her yellow robe contrasts sharply with the darker tones surrounding them, drawing attention to her vulnerability within this dynamic scene.
The artist has employed a dramatic chiaroscuro effect, utilizing strong contrasts between light and dark to heighten the emotional intensity of the moment. The background is rendered in deep blues and purples, suggesting an impending storm or a realm beyond human comprehension. This atmospheric perspective contributes to the overall feeling of mystery and enchantment.
Subtleties within the painting suggest complex relationships and underlying tensions. The older man’s gaze appears directed towards the airborne figure, hinting at a power dynamic – perhaps one of control or negotiation. The younger womans proximity to him suggests protection but also dependence. The ethereal figure’s gesture could be interpreted as benevolent guidance, a threat, or an attempt at communication across boundaries.
The scene conveys themes of magic, authority, and the interplay between the natural and supernatural worlds. It speaks to the precariousness of human existence within a realm governed by forces beyond understanding, and hints at the potential for both liberation and peril inherent in such encounters. The composition’s emphasis on movement and light creates an atmosphere charged with anticipation and uncertainty, leaving the viewer to ponder the nature of the relationship between these figures and the events that are about to unfold.