Part 2 – Giovanni Baglione (1566-1643) - The Divine Eros Defeats the Earthly Eros
c.1602. 183x121
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below, lying prone on the ground, is another male figure. He appears vulnerable and defeated, stripped bare except for scattered feathers that hint at a fallen state. His body is twisted in an unnatural angle, indicating a recent impact or struggle. The expression on his face suggests pain, resignation, and perhaps a touch of bewilderment. A shaft, possibly symbolic of desire or passion, lies near him, further emphasizing his subjugation.
The artist employs a stark contrast between light and shadow to heighten the drama. Intense illumination focuses primarily on the two figures, highlighting their musculature and expressions while plunging the background into deep obscurity. This technique not only directs the viewers attention but also contributes to an atmosphere of spiritual or moral conflict. The limited palette – dominated by browns, blacks, reds, and flesh tones – reinforces this sense of gravity and solemnity.
Subtleties within the work suggest a narrative beyond a simple physical struggle. The armored figure’s stance implies not merely victory but also control; he appears to be actively suppressing or containing something. The fallen figures nudity could symbolize a loss of innocence, a stripping away of earthly desires. The presence of wings on both figures hints at an allegorical dimension – a conflict between celestial and terrestrial realms, perhaps representing the triumph of spiritual love over carnal desire. The overall effect is one of profound moral significance, suggesting a narrative about restraint, redemption, or the consequences of unchecked passion.