Part 2 – Giovanni Battista Moroni (c.1525-1578) - Don Gabriel de la Cueva, Duke of Albuquerque
1560. 114x90
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He wears a black doublet with a high, starched collar intricately embroidered with white lace. Beneath this, sleeves of vibrant red silk are visible, adorned with similar delicate lacework at the cuffs. Red breeches complete the ensemble, echoing the color in the sleeves and creating visual harmony. A dark beret sits upon his head, adding to the overall impression of refined elegance.
A sword hilt is prominently displayed near his right hand, resting casually on a marble ledge. This detail suggests military prowess or at least an association with martial power. The placement of the hand, relaxed yet poised, implies control and readiness.
The composition adheres to the conventions of Renaissance portraiture, prioritizing realism in rendering textures and fabrics. The artist demonstrates considerable skill in depicting the sheen of silk, the crispness of lace, and the subtle nuances of skin tone. A Latin inscription appears at the bottom right corner: AQVI ESTO SIN TEMOR Y DELA MVERTE NO HE PABOR. This phrase, translated roughly as “Be here without fear of death, I ask for no favor,” offers a crucial layer of interpretation. It suggests a deliberate projection of stoicism and unwavering resolve on the part of the sitter.
The overall effect is one of controlled power and understated nobility. The man’s expression isnt overtly joyful or sorrowful; instead, it conveys a sense of quiet dignity and an acceptance of responsibility. The inscription reinforces this impression, hinting at a life lived with courage and without expectation of special treatment. The painting functions not merely as a likeness but as a carefully constructed statement about character and status.