Hans Baldung (c.1485-1545) – Portrait of Ludwig, Count von Leuwenstein Part 2
Part 2 – Hans Baldung (c.1485-1545) - Portrait of Ludwig, Count von Leuwenstein
1513. 48x34
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The man’s attire immediately signals status and affiliation. A vibrant red velvet cap sits atop his head, its folds carefully delineated to suggest volume and weight. Around his neck, a lavish fur collar frames his shoulders, hinting at considerable wealth and privilege. Beneath this, an embroidered garment is visible, the intricate patterns adding another layer of visual complexity. Most notably, he wears a pendant bearing what appears to be a set square and compass – emblems strongly associated with Freemasonry or similar esoteric societies. These symbols are repeated as decorative elements on his clothing, suggesting a deliberate display of membership or allegiance.
The man’s features themselves contribute to the overall impression. His nose is prominent, his lips thin and pressed into a serious line. The slight furrowing between his brows suggests introspection or perhaps even worry. Theres an air of intellectualism about him, reinforced by the symbolic elements he wears.
The inscription at the top, though partially obscured, indicates both his name and title, further solidifying his identity as someone of importance. The date 1513 provides a temporal anchor for the work.
Subtly, the portrait conveys more than just a likeness; it suggests a man burdened by responsibility, engaged in intellectual pursuits, and connected to secretive or exclusive circles. The somber expression, combined with the opulent clothing and esoteric symbols, creates an aura of mystery and authority. It is not merely a depiction of a person but also a statement about his position within society and perhaps even his inner life.