Matthijs Bril – Christ Stills the Storm on the Lake of Tiberias and Heals the Possessed at Gerasa
1581. Torre dei venti
Location: Vatican Museums (fresco) (Musei Vaticani (murales)), Vatican.
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The shoreline is equally fraught with activity. A group of individuals, seemingly inhabitants of the nearby region, are shown reacting to the events unfolding on the water. Some cower in fear, others raise their arms in supplication or despair. Notably, a cluster of figures near the foreground exhibits signs of possession – contorted postures, expressions of anguish, and gestures suggesting an internal struggle. One man appears to be dragging himself across the rocks, while another is held aloft by unseen forces. A woman, draped in flowing fabric, seems to be attempting to intervene or offer assistance.
The artist’s use of color contributes significantly to the overall effect. The dark blues and grays of the storm-tossed sea contrast sharply with the warmer tones of the shoreline vegetation and the figures garments. This juxtaposition emphasizes the division between the natural world, in its unrestrained power, and humanity’s vulnerability within it. Light plays a crucial role as well; while the scene is generally dark, certain areas are illuminated to highlight key moments – the central figure’s gesture, the expressions of terror on the faces of those affected by the storm or possession, and the details of the turbulent water.
Beyond the literal depiction of events, the painting suggests themes of faith, divine intervention, and the struggle between order and chaos. The calm demeanor of the central figure amidst the tempestuous environment implies a power capable of transcending natural forces. The afflicted individuals on the shore represent suffering and spiritual turmoil, hinting at the possibility of redemption or healing through this intervening presence. The composition’s dynamic arrangement – the diagonal lines created by the waves and the figures gestures – generates a sense of urgency and emotional intensity, drawing the viewer into the unfolding drama.