Bartholomew Exorcizes King Polymius’s Lunatic Daughter Matthijs Bril (1550-1583)

The fresco presents a complex narrative framed within an elaborate architectural border. The central scene depicts what appears to be a procession or ritual taking place in a classical landscape. A tall obelisk dominates the middle ground, acting as a visual anchor and suggesting a connection to ancient civilization or perhaps a symbolic representation of power and authority. Figures are arranged around this monument; some appear to be gesturing towards it, while others seem to be observing from a distance. The overall impression is one of solemnity and reverence.
Flanking the central scene are two allegorical groupings. On either side, cherubic figures are positioned atop elaborate architectural elements that resemble thrones or pedestals. These figures hold symbolic objects: one grasps an arrow, while the other holds what appears to be a book or scroll. The presence of these putti suggests themes of divine intervention, knowledge, and perhaps even love or conflict – the arrow hinting at the latter.
The landscape itself is rendered with a degree of atmospheric perspective, creating a sense of depth and distance. A river winds through the scene, adding to the overall feeling of tranquility and natural order. The sky displays subtle gradations of color, contributing to the illusion of space.
Subtly, the composition seems to be divided into distinct zones. The central narrative is clearly emphasized by its placement within the rectangular frame, while the flanking figures are contained within their own architectural niches. This division may suggest a hierarchical structure or a separation between different realms – perhaps the earthly and the divine, or the rational and the emotional.
The decorative border itself contributes significantly to the painting’s overall effect. Its intricate details and classical motifs reinforce the sense of grandeur and sophistication. The use of light and shadow within the border creates a three-dimensional illusion, further enhancing the visual complexity of the work.

Ultimately, the fresco appears to be more than just a depiction of an event; it is a carefully constructed allegory that invites contemplation on themes of power, faith, knowledge, and the relationship between humanity and the divine.