Edward Savage – Colonel William Perkins
oil on canvas in oval
Location: Mead Art Museum, Amherst College, Amherst.
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Here we see a man of apparent stature; his attire suggests a position of authority or wealth. A formal black coat, adorned with gold embellishments on the breast, is paired with an elaborate white cravat that spills over his waistcoat. He holds a white gloved hand near his chest, a gesture often employed to signify refinement and social standing. His hair is styled in the fashion of the late 18th century, powdered and arranged into a queue at the back of his neck.
The artist’s brushwork appears relatively loose, particularly noticeable in the background where broad strokes create an atmospheric effect rather than precise detail. This technique contributes to a sense of immediacy and perhaps suggests a focus on capturing the subjects likeness and personality over meticulous rendering. The face itself is painted with careful attention to subtle nuances – the slight flush on his cheeks, the lines around his eyes, and the set of his mouth all contribute to an impression of quiet confidence and intelligence.
Subtleties in the painting suggest a narrative beyond mere representation. The direct gaze establishes a connection between subject and viewer, inviting scrutiny and perhaps conveying a sense of self-assurance or even challenge. The dark background serves not only as contrast but also isolates the figure, emphasizing his individuality and importance. While the overall tone is formal, theres an underlying humanity in the depiction; it’s not merely a display of rank, but a portrayal of a man with character and presence. The slightly softened edges of the portrait suggest a desire to present a favorable image while retaining a degree of naturalism.