The Architect Don Tiburcio Perezy Cuervo Francisco Jose De Goya y Lucientes (1746-1828)

Here we observe a portrait depicting a gentleman in a three-quarter pose. He is positioned slightly off-center, facing towards the viewer but with his gaze directed just past them, creating a sense of introspection or perhaps polite disinterest. The background is dark and indistinct, drawing immediate attention to the figure.
The man’s attire suggests a position of some social standing; he wears a waistcoat over a ruffled shirt, paired with what appears to be a dark coat or jacket. His arms are crossed loosely across his chest, a gesture that can convey confidence, self-assurance, and a degree of formality. The hands themselves are rendered with considerable detail, indicating the artist’s focus on capturing not just likeness but also character.
The mans hair is styled in a fashionable manner for the period, dark and swept back from his face. His expression is subtle – a slight smile plays on his lips, hinting at an underlying amusement or perhaps a carefully cultivated air of composure. The lighting is dramatic; it highlights the planes of his face and chest while leaving much of the background in shadow. This use of chiaroscuro contributes to a sense of depth and emphasizes the subject’s presence.
Subtly, the painting conveys notions of intellect and refinement. The crossed arms suggest a man accustomed to authority or at least comfortable in his own skin. The gaze directed beyond the viewer implies a mind engaged with thoughts not immediately apparent. The overall impression is one of quiet dignity and understated power – a portrait intended to convey more than just physical resemblance, but also an assessment of character and social standing.