#40493 Domenec Pascual Badia

The composition presents a view of a Mediterranean village, dominated by a tall, slender bell tower rising above surrounding structures. The palette is restrained, primarily utilizing earth tones – ochre, terracotta, and muted greens – which contribute to a sense of warmth and stillness.
Here we see a cluster of buildings constructed from rough-hewn stone, their surfaces rendered with a textural quality that emphasizes the materiality of the construction. The bell tower, centrally positioned, is notable for its stark verticality; it appears almost detached from the horizontal plane of the village below. A small arched doorway is visible on its facade, hinting at an interior space beyond.
The artist placed dense foliage – primarily trees and shrubs – strategically to frame the scene. These natural elements partially obscure the buildings, creating a sense of depth and suggesting that the viewpoint is somewhat distant or obscured. The vegetation’s vibrant green provides a visual counterpoint to the warm tones of the stone architecture. A low wall runs along the foreground, further defining the space between the viewer and the village.
The light appears diffused, lacking strong contrasts; this contributes to the overall feeling of tranquility and timelessness. There is an absence of human figures or any overt signs of activity, which reinforces a sense of quiet solitude.
Subtly, the painting evokes themes of tradition and permanence. The architecture suggests a long history, while the natural elements imply a harmonious relationship between humanity and the environment. The bell tower, as a symbol of faith and community, anchors the composition and lends it a spiritual resonance. It is possible to interpret this work as an exploration of memory and place – a visual record of a specific location imbued with personal significance.