D289R Murder of Thomas Woodstock, Duke of Gloucester, in Calais in 1397 Froissart’s Chronicles

The scene unfolds within a confined architectural space, likely a doorway or portico, with a glimpse of exterior foliage visible on the right side. Here we see a violent confrontation taking place; a central figure, clad in rich crimson robes, is being forcibly restrained by several individuals. The man in red appears to be falling forward, his body contorted and suggesting considerable distress. A white cloth or cord is tightly wound around his neck, held taut by one of the assailants.
The aggressors are dressed in a variety of colors – blue, green, and red – indicating perhaps differing roles or allegiances within this conflict. One figure, positioned behind the central man, grasps at his clothing with considerable force. Another, standing to the left, appears to be actively pulling him forward. A fourth individual is partially visible above them, seemingly involved in the struggle. The composition emphasizes the physicality of the event; the bodies are intertwined and dynamic, conveying a sense of immediate action and brutality.
The tiled floor contributes to the overall impression of formality and order, which sharply contrasts with the chaotic nature of the depicted violence. This juxtaposition may be intended to highlight the disruption of established authority or social norms. The presence of what appears to be a ceremonial object – a golden chalice or cup – held by one of the figures adds another layer of complexity. It could symbolize power, status, or perhaps even a mockery of religious ritual in the context of this violent act.
The limited depth of field and flattened perspective are characteristic of medieval illumination techniques. The artist’s focus is on conveying the narrative event rather than creating an illusionistic space. The color palette, while vibrant, is somewhat restrained, contributing to a sense of solemnity and gravity. Overall, the image suggests a depiction of political intrigue or betrayal, with implications of power struggles and potential injustice.