Domenico Morelli – Portrait of Bernardo Celentano (1835-1863)
1859.
Location: National Gallery of Modern Art, Rome (Galleria Nazionale d’Arte Moderna).
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The man is dressed in a dark coat, a crisp white shirt adorned with a patterned cravat, and topped with a tall black top hat. He holds a walking stick loosely in his right hand, its handle partially obscured by his fingers. A lit cigar is held between them, adding an element of relaxed confidence to his demeanor. His gaze is direct, almost challenging, meeting the viewers eye without warmth or overt friendliness.
The artist’s technique emphasizes texture and a certain immediacy. The brushwork is visible throughout, particularly in the rendering of the clothing and the background wall. This contributes to an overall impression of spontaneity rather than meticulous detail. Light falls across his face from the left, highlighting the planes of his features and casting shadows that accentuate his prominent nose and strong jawline.
Subtleties within the composition hint at a complex character. The slightly rumpled cravat suggests a disregard for rigid formality, while the cigar implies a certain indulgence or perhaps even rebellion against societal norms. The weathered wall behind him could be interpreted as symbolic of time’s passage or a sense of melancholy. His direct gaze and unsmiling expression convey an air of self-assurance bordering on aloofness.
The painting seems to aim for more than just a straightforward likeness; it attempts to capture the personality and perhaps even the inner life of the sitter, presenting him as a man of substance and quiet complexity within his era.